Revisiting the Prague Biennale
I recently reconnected with my friend Kevin Kane who was my old collaborator on Biothing: The Invisibles Prague Biennale installation in 2003. He is now an architect & founder of Arktura. The Prague installation was quite an adventure, and its interesting to see where the people behind it ended up. Alisa Andrasek is still teaching and now involved in the European Graduate School. Several of the Columbia Architecture students who we worked with started their own firm called We Are Dag.
This installation used animations produced with the Maya Embedded Language (MEL) and granular synthesis sound displays. The animation and sound would get more or less chaotic based on a digital model of a bacteria colony (using a Cellular Automata algorithm). The bacteria model had an “environmental” variable that could lower or increase environmental impediments to survival. We tied this variable to the count of people in the space using an infrared beam sensor positioned by the entrance. The idea was that people’s presence would help spread the bacteria and boost this invisible ghostly presence in the walls. During the research phase, we tested ultra-directional infrared beam speakers by Holosonics but decided to use conventional speakers so that we could hide them in the walls.
I learned a lot from the project and loved seeing Prague. I hope to make it back there soon.
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